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08-14-2013, 10:58 AM
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Join Date: Jan 2013
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hes the type of bitch to divorce me and take half my shit
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08-14-2013, 10:58 AM
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#11
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hes the type of bitch to divorce me and take half my shit
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08-14-2013, 10:59 AM
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Quote:
Originally Posted by Rain-Matrix
hes the type of bitch to divorce me and take half my shit
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LMAOOOO
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08-14-2013, 10:59 AM
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#12
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Quote:
Originally Posted by Rain-Matrix
hes the type of bitch to divorce me and take half my shit
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LMAOOOO
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08-14-2013, 11:21 AM
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So I'd take half of your kit kat?
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08-14-2013, 11:21 AM
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#13
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So I'd take half of your kit kat?
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08-14-2013, 11:28 AM
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Join Date: Jan 2013
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i fucked this chick earlier this week ... she wasnt even my girlfriend
shh
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08-14-2013, 11:28 AM
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#14
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i fucked this chick earlier this week ... she wasnt even my girlfriend
shh
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08-14-2013, 08:08 PM
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So I’m a few tracks into Cortez Musik, jumping right into this review, and everything has been sounding SO commercial so far. No westcoast flavour at all to it. Everything just sounds like everyone else’s stuff. About 5 tracks in and not impressed at all.
Finally a nice one. It’s Lucci rapping over the I Need You Tonight beat, although I think it’s slightly remastered. Pretty awesome song called Mula Music. Lucci flows along on it well, beat is chilled out as fuck. It’s not really as good as the Junior MAFIA one all the same. All in all a solid track.
Another few okayish tracks, and get to Camera’s Out. It’s got a Dae One feature, who really makes the song with a pretty nice hook. Dae One is one of the last true westcoast guys around, and it a master at recreating the old westcoast beat sound, so always good to see him make a nice track. Lucci was okay.
Jolly Rancher is a song where he says I believe “drip drip drip drip drop…she tastes just like a jolly rancher”. The fuck is up with his jolly ranchers?
Next song has this intro. “You know a lot of people axing me what Cortez Musik stands fow. You know Cortez was a shoe, that back in the eights all the hustlers wore. And when it was time for them to run from the police, they had no problem, quick and swift”. DEEP. Where is Keith Lemon with “What’s the message?” when you need um?
The album ends with some mediocre songs again. This is probably my least favourite Lucci album thus far. Some alright songs, one nice one that was only nice because of it’s original, and then one pretty good one. He was more like Lil Wayne than ever before with this one, which is always something I had a feeling was going to happen.
6/10
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08-14-2013, 08:08 PM
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#15
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So I’m a few tracks into Cortez Musik, jumping right into this review, and everything has been sounding SO commercial so far. No westcoast flavour at all to it. Everything just sounds like everyone else’s stuff. About 5 tracks in and not impressed at all.
Finally a nice one. It’s Lucci rapping over the I Need You Tonight beat, although I think it’s slightly remastered. Pretty awesome song called Mula Music. Lucci flows along on it well, beat is chilled out as fuck. It’s not really as good as the Junior MAFIA one all the same. All in all a solid track.
Another few okayish tracks, and get to Camera’s Out. It’s got a Dae One feature, who really makes the song with a pretty nice hook. Dae One is one of the last true westcoast guys around, and it a master at recreating the old westcoast beat sound, so always good to see him make a nice track. Lucci was okay.
Jolly Rancher is a song where he says I believe “drip drip drip drip drop…she tastes just like a jolly rancher”. The fuck is up with his jolly ranchers?
Next song has this intro. “You know a lot of people axing me what Cortez Musik stands fow. You know Cortez was a shoe, that back in the eights all the hustlers wore. And when it was time for them to run from the police, they had no problem, quick and swift”. DEEP. Where is Keith Lemon with “What’s the message?” when you need um?
The album ends with some mediocre songs again. This is probably my least favourite Lucci album thus far. Some alright songs, one nice one that was only nice because of it’s original, and then one pretty good one. He was more like Lil Wayne than ever before with this one, which is always something I had a feeling was going to happen.
6/10
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08-15-2013, 08:51 AM
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I was really feeling the mixtape D-Dimes produced to us before this; Flok Boyz. Hopefully this one will live up to my expectations and be yet another solid mixtape.
I’m about 5 songs in, and everything is good enough, but nothing memorable. They have no “style” to them. Not too much to remember with them.
It’s only at the 12th track that I find a song I actually ‘like’. Skywalker is the name, although there is nothing for it on youtube. Not looking to good so far. This is seeming like an instantly forgettable mixtape.
I’m near the end, and damn near every song is starting with some dude coughing. WHY?
Dedication is an alright closer to the tape. Best of all, it has a video, so that will now be present down the bottom  . I like the idea behind the track, but it’s really a weak version of I Need A Doctor with a much cooler beat.
This will get a low rating. I don’t dislike much from it, but there is very little to like. There is nothing to really remember with it and I will forget it even exists after this review. Unfortunate after such a good last one.
6/10
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08-15-2013, 08:51 AM
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#16
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I was really feeling the mixtape D-Dimes produced to us before this; Flok Boyz. Hopefully this one will live up to my expectations and be yet another solid mixtape.
I’m about 5 songs in, and everything is good enough, but nothing memorable. They have no “style” to them. Not too much to remember with them.
It’s only at the 12th track that I find a song I actually ‘like’. Skywalker is the name, although there is nothing for it on youtube. Not looking to good so far. This is seeming like an instantly forgettable mixtape.
I’m near the end, and damn near every song is starting with some dude coughing. WHY?
Dedication is an alright closer to the tape. Best of all, it has a video, so that will now be present down the bottom . I like the idea behind the track, but it’s really a weak version of I Need A Doctor with a much cooler beat.
This will get a low rating. I don’t dislike much from it, but there is very little to like. There is nothing to really remember with it and I will forget it even exists after this review. Unfortunate after such a good last one.
6/10
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08-15-2013, 05:39 PM
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After being a big fan of Flok Boyz 1, I’m looking forward to this one.
Killa Raymond was quite a nice song. A few pretty good ones in here so far. Looking like a good mixtape. The beats aren’t too poppy, and aren’t too generic with rap. He obviously puts some work into finding his beats for the Flok Boyz mixtapes, and it’s definitely paying off.
Again, we go through more pretty good songs. “I-Phone” was a pretty dope one. I wish I had more interesting stuff to say, but really it’s just some good, some not so good, but overall, a solid enough tape.
7/10
Last edited by Hubert Cumberdale; 08-15-2013 at 05:43 PM.
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08-15-2013, 05:39 PM
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#17
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After being a big fan of Flok Boyz 1, I’m looking forward to this one.
Killa Raymond was quite a nice song. A few pretty good ones in here so far. Looking like a good mixtape. The beats aren’t too poppy, and aren’t too generic with rap. He obviously puts some work into finding his beats for the Flok Boyz mixtapes, and it’s definitely paying off.
Again, we go through more pretty good songs. “I-Phone” was a pretty dope one. I wish I had more interesting stuff to say, but really it’s just some good, some not so good, but overall, a solid enough tape.
7/10
Last edited by Hubert Cumberdale; 08-15-2013 at 05:43 PM.
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08-17-2013, 05:37 AM
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So jumping straight in, I have a PERFECT example of what annoys me about D-Dimes and Mac Lucci.
You’ve got Save America. It has a nice westcoast beat, some good enough rapping, a solid track.
Next one is NW$, a song that starts with some complete faggot saying “I’m a pretty nigga” with that shit swag feeling to it.
I wish both of them would just stay consistent with what they wanted to do. If they want to bring the westcoast back like they claim, they need to get off that Lil Wayne and Drake bullshit.
Prometheus and O Dogg are another set of nice tracks. When he’s on, he makes really nice tracks. If he could only stick to his nice style, he’d make a really dope as fuck album.
More nice tracks firing out. Yet again, nothing on youtube for me to really post with it though. Sucks cause there’s a few nice ones here that are worth remembering.
Throughout most of tapes, I’ve noticed that he usually brings a nice track if Maine Beatz is producing. I should have a look into other artists they are producing for.
A song which mentioned his “brother Trayvon”. It seems that he’s actually referring to his brother Trayvon which is good. I wasn’t looking forward to his social commentary attempts.
He made a track, called Slaves, in which he’d tell his master on the plantation to fuck off. Yeah, he’s the black guy talking about his ancestors and I know more about that shit than him.
Overall, a very nice album. Probably his best yet. With the exception of I think like 2 or 3 bad songs, everything was nice, and original sounding. 8 is too high, and 7.5 is too low.
7.75/10
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08-17-2013, 05:37 AM
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#18
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So jumping straight in, I have a PERFECT example of what annoys me about D-Dimes and Mac Lucci.
You’ve got Save America. It has a nice westcoast beat, some good enough rapping, a solid track.
Next one is NW$, a song that starts with some complete faggot saying “I’m a pretty nigga” with that shit swag feeling to it.
I wish both of them would just stay consistent with what they wanted to do. If they want to bring the westcoast back like they claim, they need to get off that Lil Wayne and Drake bullshit.
Prometheus and O Dogg are another set of nice tracks. When he’s on, he makes really nice tracks. If he could only stick to his nice style, he’d make a really dope as fuck album.
More nice tracks firing out. Yet again, nothing on youtube for me to really post with it though. Sucks cause there’s a few nice ones here that are worth remembering.
Throughout most of tapes, I’ve noticed that he usually brings a nice track if Maine Beatz is producing. I should have a look into other artists they are producing for.
A song which mentioned his “brother Trayvon”. It seems that he’s actually referring to his brother Trayvon which is good. I wasn’t looking forward to his social commentary attempts.
He made a track, called Slaves, in which he’d tell his master on the plantation to fuck off. Yeah, he’s the black guy talking about his ancestors and I know more about that shit than him.
Overall, a very nice album. Probably his best yet. With the exception of I think like 2 or 3 bad songs, everything was nice, and original sounding. 8 is too high, and 7.5 is too low.
7.75/10
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02-27-2014, 11:20 AM
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Upping. I'm going to review The Dogg Pound's shit for a bit.
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02-27-2014, 11:20 AM
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#19
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Upping. I'm going to review The Dogg Pound's shit for a bit.
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02-27-2014, 04:15 PM
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Starting back up my reviews, and originally I was going to go into some older music but I think that in listening to the new music, I’ll be able to bandwagon onto someone which we all love doing.
For this, I’m going to review LoveRanch’s Freak of the Industry. This was a free EP released in 2012, and from the looks of things, LR hasn’t really dropped anything since. This will either be a “That’s a shame” or a “Thank god” moment, depending on how much swag he claims to have.
Song 1, and Mr. Love is claiming to be a “California Stunna”. You all know my opinions on stuff like this…
Next song features Tyga, or as I call him, 2pac 2.0. I HATE music that comprises of a guy saying “Hey!, Hey!, Hey! In the background. The song is called AkUp. I don’t know what this means. I guess I’m not hood enough.
Clyde Carson features on a fairly bad song, but seems like a pretty okay rapper. I might check him out next.
I hate how guys like DJ Skee spam the fuck out of this shit.
50 Cent featuring on this shows how irrelevant he’s come. He’s not like Snoop who can help build up guys by attaching his name. This is actually Fiddy trying, shit’s sad.
Social Network is the most listenable song so far. But shit’s crossing the line between a song for sex and a song for being a pervert. “Bend her over…BUST IT OPENED”. No thanks…
3 songs about fucking bitches in a row. This shit changed quick.
“Rollin’” ranks in my least favourite songs.
Overall, this was a pretty bad album to me. Completely new school, complete with monotone voice and annoying references. Not my shit at all.
2/10
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02-27-2014, 04:15 PM
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#20
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Starting back up my reviews, and originally I was going to go into some older music but I think that in listening to the new music, I’ll be able to bandwagon onto someone which we all love doing.
For this, I’m going to review LoveRanch’s Freak of the Industry. This was a free EP released in 2012, and from the looks of things, LR hasn’t really dropped anything since. This will either be a “That’s a shame” or a “Thank god” moment, depending on how much swag he claims to have.
Song 1, and Mr. Love is claiming to be a “California Stunna”. You all know my opinions on stuff like this…
Next song features Tyga, or as I call him, 2pac 2.0. I HATE music that comprises of a guy saying “Hey!, Hey!, Hey! In the background. The song is called AkUp. I don’t know what this means. I guess I’m not hood enough.
Clyde Carson features on a fairly bad song, but seems like a pretty okay rapper. I might check him out next.
I hate how guys like DJ Skee spam the fuck out of this shit.
50 Cent featuring on this shows how irrelevant he’s come. He’s not like Snoop who can help build up guys by attaching his name. This is actually Fiddy trying, shit’s sad.
Social Network is the most listenable song so far. But shit’s crossing the line between a song for sex and a song for being a pervert. “Bend her over…BUST IT OPENED”. No thanks…
3 songs about fucking bitches in a row. This shit changed quick.
“Rollin’” ranks in my least favourite songs.
Overall, this was a pretty bad album to me. Completely new school, complete with monotone voice and annoying references. Not my shit at all.
2/10
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