Shark week was great. If your could translate that staccato in all aspects of audio, you'd have a toolkit that not too many people have.
Kind of remind me of the early Anticon styled era but with better structure and penmanship. My only qualm is that the tone kind of drones through it.
Possibly switch up cadence each stanza on your next piece. Your inflection is MUCH better. Now its time to hit from different angles rhythmically. Like, The listener needs to be taken by suprise with each bar, so your pre-recording mindset shot include discerning wheter or not your point of impact is going to be lyrical or delivery.
Thats how these new guys are so passable in the mainstream. We hear their lyrics and wonder what the deal is, but the deliveries are whats getting them over most of the time. You have a tight pen game. Packaged that with a tight line for line arsenal of deliveries and cadences and youre in there.
Eyedea is a great example of that. In "Now" he throws a kitchen sink of looks from the delivery standpoint and its so subtle its hard to even notice.
Keep up the goid work. I dont get to chat as often as I did but I'm watching. Ups.
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